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"WE LIVE IN SILENCE" by KUDZANAI CHIURAI Disrupts Colonial Narratives

Goodman Gallery is presenting a dual-location exhibition titled We Live in Silence by Zimbabwean artist Kudzanai Chiurai, in which a new series of characteristically theatrical and politically charged works (photographs, videos, drawings, paintings and installation) will be presented.

Taking place across Goodman Gallery Johannesburg and Constitution Hill, We Live in Silence marks the final installment in a three-part series that began with Revelations (2011) and continued with Genesis [Je n’isi isi] (2016). Taken as a whole, this ambitious body of work disrupts what the artist refers to as ’colonial futures’, creating ‘countermemories’ within his images to contest dominant colonial narratives. The exhibition takes Mauritanian filmmaker Med Hondo’s critically acclaimed 1967 drama Soleil Ô as its starting point, responding, in particular, to the colonial mindset encapsulated in the following line from the film: ‘It’s crucial to be able to select individuals capable of speaking as we do, capable of thinking as we do, capable of retaining, of absorbing, yes absorbing words as we do and above all giving them the same meaning, and so there’ll soon be millions of white-washed blacks, white-washed and economically enslaved’.

In We Live in Silence, Chiurai dissects the film through similitude, recreating scenes intercut with visual references from popular culture and art historical sources to stage alternative colonial histories and futures that reject this notion that African migrants are to think, speak and understand language like their colonisers.

Kudzanai Chiurai; We Live in Silence III; 2017

Kudzanai Chiurai; We Live in Silence V; 2017

Kudzanai Chiurai; We Live in Silence II (2017)

The exhibition also repositions the female role in recent struggle histories – recasting the lead character as a woman in the black liberation narrative to challenge the gender bias inherent to such narratives, which tend to pit a black male as the victim of colonisation and, hence, the liberator of the post-colony. As with previous work, Chiurai collaborated with an award-winning production team: photographer Jurie Potgieter, art director Dylan Lloyd, stylist Bee Diamondhead, set designer Johann Krynauw, director of photography Adam Benton, sound producer João Orecchia, performance director Lindiwe Matshikiza and Botshelo Motuba who plays the main character throughout the photographic series.

Kudzanai Chiurai is an internationally acclaimed artist born in Zimbabwe in 1981. He was the first black student to graduate with a BA Fine Art from the University of Pretoria. Born one year after Zimbabwe’s emergence from white-ruled Rhodesia, Chiurai’s early work focused on the political, economic and social strife in his homeland. Coinciding with We Live in Silence, Chiurai will have an early retrospective at Zeitz MOCAA in September this year. The artist has held numerous solo exhibitions with Goodman Gallery, accompanied by publications co-edited by the artist alongside leading African creatives, such as Mbali Soga and Lodi Matsetela. A new monograph on his work, While the Harvest Rots: Possessing Worlds of Kudzanai Chiurai’s Art, was published by Goodman Gallery earlier this year.

Kudzanai Chiurai; We Live in Silence IIII (2017)

Kudzanai Chiurai; We Live in Silence VII (2017)

Kudzanai Chiurai; We Live in Silence VIII; 2017

The exhibition will be opening at Goodman Gallery this evening at 6pm.


Images: Kudzanai Chiurai © courtesy of Goodman Gallery

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